Wednesday, January 5, 2011

sound, movement, and communal cuisine

New Orleanians, poor, rich, and in-between, white and black and in-between, take their cooking and eating seriously, just as they take their music seriously, and their dancing, and their masks and costumes, and their celebratory rituals, because it is not mere entertainment to them. It is all part of a ritual in which the finiteness, the specificity and fragility and durability and richness and earthiness and sadness and laughter of life, are all mixed together, honored, and given tangible form in sound, movement, and communal cuisine.

 
Tom Piazza, Why New Orleans Matters. Regan Books. 2005. p. 35

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